{"id":1640,"date":"2013-05-03T17:04:09","date_gmt":"2013-05-03T17:04:09","guid":{"rendered":"http:\/\/atc.audio\/?p=1640"},"modified":"2016-05-25T20:54:53","modified_gmt":"2016-05-25T20:54:53","slug":"yellow-box-studios-can-hear-clearly-now-with-scm300asl-pros","status":"publish","type":"post","link":"https:\/\/atc.audio\/zh\/2013\/05\/yellow-box-studios-can-hear-clearly-now-with-scm300asl-pros\/","title":{"rendered":"Yellow Box Studios can hear clearly now with SCM300ASL PROs"},"content":{"rendered":"<h4>Yellow Box Studios can hear clearly now with SCM300ASL PROs \u201cThe response has been mind-blowing \u2014 even more so from the audio professionals that have set foot in the room.\u201d &#8211; Rennie Gomes (Managing Director, Yellow Box Studios, Singapore)<\/h4>\n<p>SINGAPORE: specialist British loudspeaker drive unit and complete sound reproduction system manufacturer ATC is pleased to announce that Yellow Box Studios, Singapore\u2019s largest and most highly-awarded audio post-production facility, has installed a top-of-the-range pair of SCM300ASL PRO three-way active series loudspeakers in its new no-expense-spared music production and recording facility\u2026<\/p>\n<p>\u201cThe music production and recording facility is also meant to cover our post-production needs as we do quite a lot of music recording and ADR for our films and commercials.\u201d So says Yellow Box Studios Managing Director Rennie Gomes, a go-getting, multi-tasking individual who is also actively involved as a sought-after sound designer and composer at the company he co-founded back in 1995. Backtracking further still, Rennie reveals, \u201cSingapore was already a hub for post-production back in the \u201990s, and, even before setting up Yellow Box, I already had a good pool of clients from around the region. So setting up in Singapore was a natural choice, given its strong infrastructure and economy.\u201d<\/p>\n<p>With a city centre-sited state-of-the-art studio and office to its company name, Yellow Box Studios set about producing soundtracks for feature films, television drama series, and television commercials with much success \u2014 so much so, in fact, that the decision was recently taken to expand its base of operations to include a new music production and recording facility housing a dub stage and one of Singapore\u2019s largest recording rooms in a light industrial unit within a stone\u2019s throw of Changi International Airport. Arguably a risky business move in today\u2019s rapidly changing climate, surely? \u201cYou can\u2019t hear a thing in any of the rooms, so all credit to the designer \u2014 who, coincidentally, created one of the rooms at Abbey Road \u2014 and an amazing building contractor,\u201d Rennie responds, semi-seriously, before adding: \u201cWe were all aware of the challenging times the music industry is going through, but we knew we could make it work if we diversified the use of the room. Singapore doesn\u2019t have many large recording rooms anymore, which puts us in a good position to record 30-piece string arrangements or a 60-strong choir, both of which we\u2019ve already achieved since opening.\u201d<\/p>\n<p><a href=\"http:\/\/atc.audio\/wp-content\/uploads\/2013\/05\/Yellow-Box-Studios-ATC-Large.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1644 alignright\" title=\"Yellow Box Studios Control Room\" src=\"http:\/\/atc.audio\/wp-content\/uploads\/2013\/05\/Yellow-Box-Studios-ATC-Large.jpg\" alt=\"\" width=\"758\" height=\"504\" srcset=\"https:\/\/atc.audio\/wp-content\/uploads\/2013\/05\/Yellow-Box-Studios-ATC-Large-140x93.jpg 140w, https:\/\/atc.audio\/wp-content\/uploads\/2013\/05\/Yellow-Box-Studios-ATC-Large-300x200.jpg 300w\" sizes=\"auto, (max-width: 758px) 100vw, 758px\" \/><\/a><\/p>\n<p>Both studio and control rooms are suspended on floating floors with fully-ducted, acoustically-dampened, ultra-quiet air-conditioning. Professional as that may sound on paper, making that control room sound professional in reality involved installing some premier professional audio equipment, evidently. At its heart is a discrete analogue mixer designed by one of the most trusted names in pro audio, perfectly partnered with industry performance overachiever ATC\u2019s flagship <a title=\"SCM300ASL Pro\" href=\"http:\/\/atc.audio\/professional\/loudspeakers\/scm300asl-pro\/\" target=\"_blank\">SCM300ASL PRO<\/a> three-way active professional series loudspeakers as its main monitoring system. \u201cThey were highly recommended by one of my senior engineers,\u201d explains Rennie. \u201cWe had heard a pair in another facility and were very impressed.\u201d<\/p>\n<p>And first impressions can count now more than ever in today\u2019s tightly-constrained recording world, which is exactly why those SCM300ASL PROs have been paying dividends for Yellow Box Studios from the get-go: \u201cThe response has been mind-blowing \u2014 even more so from the audio professionals that have set foot in the room. In this day and age of huge compromises in sound production, because of tight budgets, we are proving that paying a little more does, indeed, go a long way. Engineers and musicians are bringing in their favourite mic pres, amps, and other gizmos to test in our room, and they\u2019re amazed at the results. We\u2019re finally able to do large-format recording, helped by having the SCM300s in a room that best compliments their sound, because being able to hear an accurate bottom end matters so much when you\u2019re doing large string sessions and band recordings. In a sense, we are bringing back the romance of a great recording experience without any compromise \u2014 sort of a dying art, really.\u201d<\/p>\n<p>Reasons Rennie: \u201cAs for the music scene in Singapore and the region in general, let\u2019s just say we\u2019re still optimistic as we\u2019ve already had some amazing compliments about the recording room and how accurate everything sounds, which is exactly what we were striving for in the first place.\u201d Thanks to ATC\u2019s SCM300ASL PRO three-way active professional series loudspeakers, what sounds good for Yellow Box Studios is also a good thing for its host nation, it seems: \u201cSingapore has never really had a state-of-the-art facility for audio like this one, where film and music are merged. We foresaw this convergence of media a long time ago, and now music and picture are prevalent in all interactive and traditional media, so having such a facility also attracts mid-level to high-end projects to our shores as more and more projects we work on are for an international audience. There\u2019s always a certain kind of magic that happens when I see film producers and directors meet with bands and music producers in the same building. I think it\u2019s called\u2026 collaboration!\u201d<\/p>\n<p>Speaking of which, Yellow Box Studios\u2019 collaboration with ATC was also deemed a resounding success at an all-important installation level, too. \u201cThe installation went very well,\u201d wraps up Rennie on another uplifting note. \u201cIt was basically a case of set up and go, with not many tweaks needed as the system suits the room so well.\u201d That it does. And, as a direct result of that fateful first listening session and subsequent sizeable installation investment, Yellow Box Studios can hear clearly now and forevermore with their new ATC300 ASL PROs.<\/p>\n<p>Yellow Box Studios:\u00a0 <a href=\"http:\/\/www.yellowboxstudios.com\">www.yellowboxstudios.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yellow Box Studios can hear clearly now with SCM300ASL  [&#038;hellip<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1640","post","type-post","status-publish","format-standard","hentry","category-pro"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/atc.audio\/zh\/wp-json\/wp\/v2\/posts\/1640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atc.audio\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atc.audio\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atc.audio\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/atc.audio\/zh\/wp-json\/wp\/v2\/comments?post=1640"}],"version-history":[{"count":1,"href":"https:\/\/atc.audio\/zh\/wp-json\/wp\/v2\/posts\/1640\/revisions"}],"predecessor-version":[{"id":4526,"href":"https:\/\/atc.audio\/zh\/wp-json\/wp\/v2\/posts\/1640\/revisions\/4526"}],"wp:attachment":[{"href":"https:\/\/atc.audio\/zh\/wp-json\/wp\/v2\/media?parent=1640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atc.audio\/zh\/wp-json\/wp\/v2\/categories?post=1640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atc.audio\/zh\/wp-json\/wp\/v2\/tags?post=1640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}